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Cezanne and the End of Impressionism: A Study of the Theory, Technique, and Critical Evaluation of Modern Art

Richard Shiff University Of Chicago Press University Of Chicago Press
Drawing on a broad foundation in the history of nineteenth-century French art, Richard Shiff offers an innovative interpretation of Cézanne's painting. He shows how Cézanne's style met the emerging criteria of a "technique of originality" and how...
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The Women Impressionists: A Sourcebook (Art Reference Collection)

Russell T. Clement, Annick Houze, Christiane Erbolato-Ramsey Greenwood Press Greenwood Press
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzales, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several...
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Early Impressionism and the French State (1866-1874)

Jane Mayo Roos Cambridge University Press Cambridge University Press
Early Impressionism and the French State explores the reception of modernist painting in the years that preceded the Impressionist exhibition of 1874. Opening with an extensive analysis of the ministry of fine arts and the politics of the Salon,...
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Manet and the Sea

Juliet Wilson-Bareau, David Degener Yale University Press Yale University Press
Edouard Manet (1832-1883) was passionate about the sea. Before becoming a painter, he spent six months at sea, and, like many Europeans of his era, he took numerous seaside holidays. Manet made his public debut as a marine painter at the Paris Salon...
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French Art, Classic and Contemporary Painting and Sculpture

W. C. Brownell
I. Classic Painting II. Romantic Painting III. Realistic Painting IV. Classic Sculpture V. Academic Sculpture VI. The New Movement in Sculpture
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