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Drawing Now: Eight Propositions
Kai Althoff, Laura Hoptman, Chris Ofili, Franz Ackerman, Russell Crotty, Toba Khedoori, Graham Little, Los Carpinteros, Jockum Nordstrum, Jennifer Pastor, David Thorpe, Richard Wright, John Currin, Mark Manders, Barry McGee, Julie Mehretu, Yoshitomo Nara
The Museum of Modern Art, New York
The Museum of Modern Art, New York
From John Currin's old-master-style Playboy bunnies to Elizabeth Peyton's fin-de-siècle portraits; from Julie Mehretu's dizzying, multilayered architectural landscapes to Shahzia Sikander's multipatterned miniature ones; from Yoshitomo Nara's angry...
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The Absence of Mark Manders
Douglas Fogle, Mark Manders
Hatje Cantz
Hatje Cantz
Dutch artist Mark Manders, born in 1968, has been devising sculptural installations since the late 1980s, exhibiting them as a fragmented self-portrait in the form of imaginary rooms. A veteran of solo exhibitions at such respected American venues...
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Mark Manders: Isolated Rooms
James Rondeau, Dieter Roelstraet
Art Institute of Chicago
Art Institute of Chicago
This artist-designed publication documents “Isolated Rooms,” a 2003 exhibition by Mark Manders at the Art Institute of Chicago and the Renaissance Society at the University of Chicago. These installations marked the American museum debut for the...
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Sculptural Sphere
Will Bradley, Tom Healy, Olivier Kielmayer, Liisa Roberts, Stephan Urbaschek, Martin Boyce, Manfred Pernice, Thomas Demand, Mark Manders, Tom Sachs
Sammlung Goetz
Sammlung Goetz
The multi-dimensionality of our daily experiences is reduced by the television and internet media to the surface of a flat screen. Thus reality loses more and more of its spatial qualities, even as theoretical physicists develop increasingly...
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Mark Manders: Singing Sailors: Works by Mark Manders
Laura Hoptman, Loretta Yarlow, Mark Manders
Art Gallery of York University
Art Gallery of York University
At once a personal narrative and an encyclopedic collection of material, Dutch artist Mark Manders' "Self-Portrait" began its life as a building in 1986. Since then, Manders has exhibited fragments of the project, an array of created and found...
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