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Conceptualism in Latin American Art: Didactics of Liberation (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)

Luis Camnitzer University of Texas Press University of Texas Press
Conceptualism played a different role in Latin American art during the 1960s and 1970s than in Europe and the United States, where conceptualist artists predominantly sought to challenge the primacy of the art object and art institutions, as well...
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The Disappeared

Marcelo Brodsky, Luis Camnitzer Charta/North Dakota Museum of Art Charta/North Dakota Museum of Art
An ominous transitive verb entered the language in 1970s South America: to "disappear" someone. Some of these artists had family disappeared; others resisted or were forced into exile. Their work fights amnesia, serving as a stay against further...
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New Art of Cuba (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)

Luis Camnitzer University of Texas Press University of Texas Press
From reviews of the first edition: "The book is an essential source for understanding not only Cuba and its visual imagery but also the stuff of Latin American art." —Artforum "Camnitzer . . . is sensitive to the...
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Face to Face

Alexander Alberro, Luis Camnitzer, Lynn Zelevansky Hatje Cantz Hatje Cantz
Since its emergence in the 1980s and 90s, the Daros Collection in Zurich has accumulated about 280 works by 30 outstanding North American and European artists. It possesses one of the finest collections of early Warhol, and major works by Sigmar...
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A Principality of its Own: 40 Years of Visual Arts at the Americas Society (David Rockefeller Center for Latin American Studies, Art Catalogs)

David Rockefeller Center for Latin American Studies David Rockefeller Center for Latin American Studies
This collection of critical essays examines distinctive moments of the Americas Society's visual art program and its impact on the formation of a Latin American market in the United States. Founded in 1965, the Americas Society has played a...
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