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Curating Subjects

Lars Bang Larsen, Julie Ault, Carlos Basualdo, Hans Ulrich Obrist, Jens Hoffmann, Irene Calderoni, Robert Nickas, Liam Gillick, Clementine Deliss Open Editions/Occasional Table Open Editions/Occasional Table
This sleek and serious anthology of new curatorial writing features contributions from leading international curators, artists and critics including Julie Ault, S0ren Andreasen & Lars Bang Larsen, Carlos Basualdo, Dave Beech & Mark Hutchinson, Irene...
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Liam Gillick: Proxemics Selected Essays, 1988-2006

Liam Gillick JRP|Ringier JRP|Ringier
No less versatile in his writing than in his installations, films, architecture, and sculpture, Liam Gillick unites his critical essays in this collection, most of which were originally printed in art magazines or exhibition catalogues. Lauded for...
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Lawrence Weiner: AS FAR AS THE EYE CAN SEE 1960-2007 (Whitney Museum of American Art)

The Whitney Museum of American Art The Whitney Museum of American Art
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100 Artists See God

Meg Cranston, Andrea Bowers, Angela Bulloch, John Baldessari, Chris Burden, Liam Gillick, Rebecca Horn, Christian Jankowski, Mike Kelley, Martin Kippenberger, Paul McCarthy, Paul Pfeiffer, Richard Prince, Gerhard Richter, Ed Ruscha, Diana Thater Independent Curators International, New York Independent Curators International, New York
With a mix of irreverence and sincerity, artists John Baldessari and Meg Cranston here tackle nothing less than the question of God. Acting as curators, they have invited 100 artists to respond to one of art's most enduring challenges: picturing the...
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Animations

Giannalberto Bendazzi, John Canemaker, Larissa Harris, Karyn Riegel, Carolyn Christov-Bakargiev, Norman Klein, Haluk Akakce, David Galbraith, Melissa Marks, Francis Alys, Jeremy Blake, Liam Gillick P.S.1 Contemporary Art Center P.S.1 Contemporary Art Center
The verb "to animate" is derived from the Latin anima, meaning "life," and the suffix -ate, meaning "to give." Thus the works in Animations endow unlikely objects with unexpected and uncanny life. During its century-plus history, animation has...
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Liam Gillick: Factories in the Snow

Liam Gillick JRP|Ringier JRP|Ringier
This new monograph, the first in 10 years to bring together a truly substantial body of Gillick's work, takes as its focus the artist's projects of the last five years, proposing a new reading of his oeuvre. It draws attention to the rigor of the...
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Again the Metaphor Problem and Other Engaged Critical Discourses about Art: A Conversation between John Baldessari, Liam Gillick and Lawrence Weiner, moderated ... / Art and Architecture in Discussion)

John Baldessari, Liam Gillick, Lawrence Weiner, Beatrix Ruf Springer Springer
Seit Beginn ihrer Karrieren in den 1960er Jahren sind die amerikanischen Künstler John Baldessari und Lawrence Weiner befreundet. In New York treffen sie den britischen Künstler Liam Gillick zu dem von Beatrix Ruf, Direktorin der Kunsthalle Zürich,...
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Richard Phillips

Liam Gillick, Kim Gordon, Karl Holmquist, Richard Phillips JRP|Ringier JRP|Ringier
This new monograph features work by the admired New York painter, Richard Phillips, whose brash, often pornographic paintings borrow from fashion, art, the news and other graphic media. Equally apt to take his motifs from glossy magazines as from...
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Liam Gillick: Woven/Intersected/Revised (BSI Art Collection Lugano)

Luca Cerizza, Liam Gillick JRP|Ringier JRP|Ringier
Liam Gillick's designs for conference rooms, corridors and offices solidify the artist's sustained interest in negotiating the middle-ground between corporate culture and contemporary art. This illustrated reader contains an essay by Gillick on the...
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Art & Economy

Konstantin Adamopoulos, Gerard Goodrow, Susan Hapgood, Michael Hutter, Helene Karmasin, Michael Muller, Andreas Spiegel, Wolfgang Ullrich, Eva Grubinger, Peter Zimmerman, Liam Gillick, Gerard A. Goodrow Hatje Cantz Publishers Hatje Cantz Publishers
Globalization expands and contracts daily, as art and artists cross and recross borders. Motorcycles, fashion houses, and vacuum cleaners find themselves exhibited in art museums, complete with their corporate identities intact. Corporate...
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