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Jordan Crandall: Under Fire 2
Thomas Keenan, Ryan Bishop, Benjamin Bratton, David Campbell, James Der Derian, Madelaine Drohan, Paul Edwards, Bracha Lichtenberg Ettinger, Joy Garnett, Salwa Ghaly, Stephen Graham, Chris Hables Gray, Anahid Kassabian, Mary Keller, Saba Mahmood, Jordan Crandall
Witte de With
Witte de With
Under Fire 2 is the second collection edited by Jordan Crandall in an ongoing project that explores the organization and representation of armed conflict. Emerging from online dialogues among a group of artists, theorists, scientists, critics,...
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Jordan Crandall: Under Fire 1
Akbar Ahmed, John Armitage, Asef Bayat, Ryan Bishop, Jordan Crandall
Witte de With
Witte de With
Through a series of discussions about an array of issues--battle simulation techniques and news programming, democracy and violence, the privatization of the military, and militarized bodies--Jordan Crandall explores the organization and...
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Interaction: Artistic Practice in the Network
John Johnson, Jordan Crandall, John S. Johnson
D.A.P./EYEBEAM ATELIER
D.A.P./EYEBEAM ATELIER
INTERACTION began as online forum, hosted by Eyebeam Atelier, featuring an international group of artists, scholars, critics, architects, students, technicians, and curators. Discussing the transformations wrought by the Internet--particularly the...
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Unmanned.: An article from: Parachute: Contemporary Art Magazine
Jordan Crandall
Parachute Contemporary Art
Parachute Contemporary Art
This digital document is an article from Parachute: Contemporary Art Magazine, published by Parachute Contemporary Art on October 1, 2003. The length of the article is 4059 words. The page length shown above is based on a typical 300-word page. The...
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Jordan Crandall: Drive
Jordan Crandall, Peter Weibel
Hatje Cantz Publishers
Hatje Cantz Publishers
Combining traditional film technologies and computerized military programs for tracking, identifying, and targeting, Jordan Crandall's seven-part video installation Drive depicts movement through means that go miles beyond the conventions of cinema....
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