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Dada: Art and Anti-Art (World of Art)
Hans Richter
Thames & Hudson
Thames & Hudson
"Where and how Dada began is almost as difficult to determine as Homer's birthplace," writes Hans Richter, who was associated with the movement from its early days. Here, through selections from key manifestos and other documents of the time, he...
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Gerhard Richter: 100 Pictures
Gerhard Richter, Hans Ulrich Obrist, Birgit Pelzer, Guy Tosatto
Hatje Cantz Publishers
Hatje Cantz Publishers
Having the lovely and intimate volume Gerhard Richter: 100 Pictures in your hands is like being transported to the renowned painter's exhibition at the Carré d'Art in Nîmes. The beautifully produced book presents paintings from 1995 to 1996, an...
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Thomas Scheibitz: View and Map of Toledo
Thomas Scheibitz
Richter Verlag
Richter Verlag
Description: Equally inspired by photographs, magazines, ads, comics, and his own personal studies and drawings, Thomas Scheibitz's colorful paintings of landscapes, buildings, and shop windows feature few, if any, people. Part of a group of young...
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Gerhard Richter: Sils
Gerhard Richter, Hans-Ulrich Obrist, Peter Andre Bloch
Charles Rivers Publishing Co.
Charles Rivers Publishing Co.
Whenever Gerhard Richter goes to Sils, a small town in the Swiss Alps, he makes photographs, some of which he overpaints and adds to his Atlas . Others he treats as autonomous works, as in those presented in this intimate artist's book. In the...
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Hans Richter: New Living
Andres Janser, Arthur Rüegg, Arthur Ruegg
Lars Müller Publishers
Lars Müller Publishers
"New Living" (Das Neue Wohnen) was the title of an exeptional architectural propaganda film created in 1930 by German avant-garde artist and filmmaker Hans Richter. It showcased exemplary modernist buildings and furniture--some of which were on view...
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Thomas Scheibitz: About 90 Elements
Enrique Juncosa, Caoimhin Mac Giolla Leith, Rachael Thomas, Jenni Lomax, Hans Ulrich Obrist
Richter Verlag
Richter Verlag
Reviewing a 2006 exhibition of the Berlin-based artist Thomas Scheibitz's work in The New York Times , Roberta Smith wrote, "Stylish and cool, the work... continues to violate the borders between abstraction and representation, painting and...
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