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	Apollinaire, Visual Poetry, and Art Criticism Willard Bohn Bucknell University Press Bucknell University Press This work examines a seties of visual poems that Guillaume Apollinaire composed in 1917 for an exhibition of paintings by Leopold Survage and Irene Lagut. Depicting horses, flowers, landscapes, and clocks, they represent the culmination of... continue >>

	Apollinaire on Art: Essays and Reviews, 1902-1918 Guillaume Apollinaire, Roger Shattuck MFA Publications MFA Publications Poet, critic, impresario, gadfly, visionary, tastemaker: more than anyone, Guillaume Apollinaire embodies the frenzied art world of Paris in the early 20th century. His rampant enthusiasms and antipathies, and his remarkable acumen, make him still... continue >>

	Savage Sight/Constructed Noise: Poetic Adaptations of Painterly Techniques in the French and American Avant-Gardes (North Carolina Studies in the Romance Languages and Literature, 276) David LeHardy Sweet The University of North Carolina Press The University of North Carolina Press This book examines poetic adaptations of painterly techniques in works by writers such as Guillaume Apollinaire, Pierre Reverdy, Andre Breton, Frank O'Hara, and John Ashbery--all chosen both for the experimentalism of their poetry and for the... continue >>

	The Cubist Painters (Documents of Twentieth-Century Art) Guillaume Apollinaire University of California Press University of California Press Guillaume Apollinaire's only book on art, The Cubist Painters, was first published in 1913. This essential text in twentieth-century art presents the poet and critic's aesthetic meditations on nine painters: Pablo Picasso, Georges Braque, Jean... continue >>

	Apollinaire and the Faceless Man: The Creation and Evolution of a Modern Motif Willard Eugene Bohn Fairleigh Dickinson University Press Fairleigh Dickinson University Press This book examines the creation of a startling motif at the beginning of the twentieth century--that of the faceless man--and traces its evolution over the next few years. The faceless man evolved in different directions. His strategic location... continue >>

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