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Carlos Amorales

Carlos Amorales Hatje Cantz Hatje Cantz
Born in 1970, Amorales is one of Mexico's most interesting contemporary artists. Drawing from his Liquid Archive , an electronic image bank, he creates drawings, paintings and animation filled with archetypal images of dangerous beauty. This...
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Tele-journeys

Mark Bain, Runa Islam, Carlos Amorales, Joan Jonas, Fiona Tan MIT List Visual Arts Center MIT List Visual Arts Center
Focused on young artists from around the world who are living and working away from their cultures of origin, and who, like their predecessors of the 1960s and 70s, are creating new ways to articulate responses to the ever present problem of...
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Carlos Amorales: Liquid Archive, Why Fear the Future

Carlos Amorales Universidad Nacional Autonoma de Mexico Universidad Nacional Autonoma de Mexico
Since 1998, Amorales has been drawing and archiving a collection of vector graphics that are used for creating visual compositions. This book forms an experiment in which the archive has been lent to the graphic designers Mevis & van Deursen, who in...
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Animal House: When Objects Have Animals' Names (Permanent Collection of Italian Design)

Giancarlo Basili, Augusto Morello, Gianni Ottolini, Carlos Amorales Charta Charta
A zoologist might classify Italian design objects in various ways, distinguishing between species that are capable of flight (the Vespa "Wasp" scooter, the Heron lamp), of living aqueous lives (the Dolphin armchair, the jellyfish-like Medusa lamp),...
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Carlos Amorales: Casa De America.: An article from: Artforum International

Jennifer Allen Thomson Gale Thomson Gale
This digital document is an article from Artforum International, published by Thomson Gale on June 22, 2005. The length of the article is 604 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML...
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Fear of returning and being misunderstood: on Carlos Amorales.: An article from: Parachute: Contemporary Art Magazine

Michele Faguet Parachute Contemporary Art Parachute Contemporary Art
This digital document is an article from Parachute: Contemporary Art Magazine, published by Parachute Contemporary Art on October 1, 2001. The length of the article is 3195 words. The page length shown above is based on a typical 300-word page. The...
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