Categories: Sao Paulo Biennale Drawing Performance Art
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Carla Zaccagnini
Sao Paulo Biennale
Carla Zaccagnini
Creating artworks using curatorial strategies and using artists’ strategies to inform curatorial practice are two other paths of work by Zaccagnini, who is also Director of the Curatorial Department of the Cultural Centre of São Paulo…
Carla Zaccagnini
Zaccagnini’s multiplicity can be observed not only in her production; she is also a member of the editorial board of Brazilian magazine Número and writes for other publications, such as Art Nexus and Arte y Parte…
Carla Zaccagnini
Museu das Vistas, 2002 – 2007
Carla Zaccagnini
Procedures Performed/Auto-Pilot, 2008
Carla Zaccagnini
Even within such a Conceptual body of work, it is surprising how Zaccagnini occupied the entire gallery (including the exterior walls) with a work that was the only one that did not produce an object…
Carla Zaccagnini
portrait
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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