Adrian Ward
“I see my own artistic current practice and project developing in a two-modal process where skilled choices and chance gestures confront and dialog to each other. I think that precisely at the interstices between causal and casual is where the “metaphor-moments” take place”
Categories: Design Digital Art Art and Electronic media
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Adrian Ward
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Adrian Ward
at Transmedia VI: Another generative work, which I found truly entertaining is called “Autoshop” by Adrian Ward. Autoshop is an explorative parody of professional bitmap graphic manipulation software…
Adrian Ward
AutoIllustrator, 2002
Adrian Ward
I see my own artistic current practice and project developing in a two-modal process where skilled choices and chance gestures confront and dialog to each other. I think that precisely at the interstices between causal and casual is where the “metaphor-moments” take place…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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