interactive installation artist
Categories: Installation art Art and Electronic media
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Camille Utterback
Digital artist from New York, is famous for her interactive installations and her use of advanced video tracking technology. Emil Bach Soerensen met her for a talk about Untitled 5, a generative artwork where the physical presence of the audience has agency in a real time painting process. Utterback received one of the transmediale.05 awards for this piece. The talk about Utterback’s video tracked universe turned out as an alternative route involving visions about the artwork as an opening, intuition in the process of coding and a strong claim for embodiment in the digital age…
Camille Utterback
Artist’s website
Camille Utterback
Pioneering artist and programmer in the field of interactive installation.
Camille Utterback
A series of interactive objects that explores our anxiety about machines that can feel — physical puns that respond to human contact and learn an “emotional” repertoire based on past interactions.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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