Talan Memmott
Categories: Writing Multimedia Digital Art Art and Electronic media
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Talan Memmott
Lexia to Perplexia, 2000
Talan Memmott
The Brotherhood of Bent Billiard
Talan Memmott
Self Portrait(s) as other(s)
Talan Memmott
interview with Talan Memmott on the occasion of the publication of Self Portrait(s) [as Other(s)] by Marjorie Coverley Luesebrink
Talan Memmott
There’s no doubting the world of literature has changed when one reads Memmott’s work…
Talan Memmott
Talan Memmott“Lexia to Perplexia” is something of an observational application, a deconstruction of Internet attachment. It operates as a narrativizing device; in that, User interaction produces the narrative and the narrative itself is that of the Users engagement with the application…
Talan Memmott
land/wave, 2009
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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