Mario Ramiro
Categories: Art and Electronic media Kinetic Art Installation art Sculpture Objects
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“Mario Ramiro”:
Mario Ramiro
biography
Mario Ramiro
The idea of freeing an object from the action of gravity is rather disconcerting and at the same time confronts us with enormous limitations. The question of levitation is fascinating not only because of the unique condition of a body floating in the air, but mainly because of the absence of any type of visual support maintaining the object in space…
Mario Ramiro
In Ramiro’s Gravidade Zero (Zero Gravity), an electromagnet regulated by a photo-sensor maintains a metallic form floating in space in a state of levitation. Freed from a two-dimensional base, and from any point of support in space, this object is in a truly 3D kinetic space…
Mario Ramiro
Gravity Zero, 1986
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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