Categories: Installation art Sao Paulo Biennale Sculpture Objects
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Paul Ramirez Jonas
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Paul Ramirez Jonas
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Paul Ramirez Jonas
Since the early 1990s, Ramírez Jonas has expanded notions of conceptual-based practice, drawing on themes of geographic exploration, national identity and democracy through poetic installations, sculptures, and media-based artworks…
Paul Ramirez Jonas
In this exhibition artist Paul Ramirez Jonas draws on the words of famous Argentinean writer Jorge Luis Borges taking the following sentence as a point of departure: “Reading, obviously, is an activity which comes after that of writing; it is more modest, more unobtrusive, more intellectual.”…
Paul Ramirez Jonas
The CAC Gallery is proud to present an exhibition created by artist Paul Ramirez Jonas and curated by Amy Mackie related to his new public art for Taylor Square. Taylor Square is the recently renovated site of the Engine 8, Ladder 4 fire station at the intersection of Garden Street, Huron Avenue, and Sherman Street in north Cambridge…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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