Categories: Sculpture Objects
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David Ireland
Ideally my work has a visual presence that makes it seem like part of a usual, everyday situation,” he says. “I like the feeling that nothing’s been designed, that you can’t tell where the art stops and starts…
David Ireland
“You can’t make art by making art,” reflected his belief that the best works of art do not call attention to themselves as such. “Ideally my work has a visual presence that makes it seem like part of a usual, everyday situation. I like the feeling that nothing’s been designed, that you can’t tell where the art stops and starts.”…
David Ireland
David Ireland displays his influences on his creative sleeve, like a long-experienced sergeant sporting multiple chevrons. He pays tribute to Marcel Duchamp (1887-1968), the originator of the Found Object as art. Ireland’s Duchamp’s Tree is a collection of split logs with his initials branded into the ends, mounted on a steel bottle rack; it’s a direct homage to the granddaddy of conceptual art.
David Ireland
A Decade Document, Withcomet, Andcomet, Andstool
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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