Wafae Ahalouch El Keriasti
Categories: Drawing Installation art Painting
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Wafae Ahalouch El Keriasti
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Wafae Ahalouch El Keriasti
Motives in my works are themes like power vs. lack of power, male-female relations, guilt vs. innocence. I produce series of works consisting of different layers like politics and fairy tales; I let these layers connect with one another in order to create a completely new story. This story tells my vision on life and the world…
Wafae Ahalouch El Keriasti
Schijnheiligheid, macht, onschuld en relaties: de verschillende lagen van verhaal en beeld zijn soms letterlijk zichtbaar door een licht en transparant kleurgebruik in mijn schilderijen. Omdat niets is zoals het in eerste instantie lijkt, gebruik ik dit gegeven om mijn eigen beleving van deze dubbele kant van het leven in beeld te brengen…(Dutch)
Wafae Ahalouch El Keriasti
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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