E.A.T.
Billy Kluever, Fred waldhauer, Robert Rauschenberg, Robert Whitman, etc.
Categories: Art and Electronic media Installation art Multimedia
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Documents of modern & contemporary art.
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E.A.T.
This collection features over 500 documents that explore the activities of Experiments in Art and Technology (E.A.T.) from 1965 to 1981. Included are reports, project descriptions, technical drawings, correspondence, invitations, exhibition catalogues, periodicals, reprints of articles, and photocopies of press clippings…
E.A.T.
Experiments in Art and Technology (E.A.T.), founded in New York in 1967 by artists Robert Whitman and Robert Rauschenberg and engineers Billy Kluver and Fred Waldhauer, was the premier art-and-science organization of its time…
E.A.T.
video: Nine Evenings
E.A.T.
E.A.T. – Experiments in Art and Technology, «Experiments in Art and Technology – Documents», 1967
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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