Categories: Painting
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Mekhala Bahl
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The Truth of Chaotic Surfaces
Mekhala Bahl had a few successful exhibitions in the recent past. Her works are noticed for the abstract verve and curious titles. Akansha Rastogi in this informal interview chats with the artist to reveal the artist’s working style and perspective on art…
Mekhala Bahl
Mekhala has never restricted herself to single techniques or media. She has worked with materials as diverse as glass, wood, silk, paper, plastic and quilting. Her technical oeuvre extends from block -printing, etching and lithography, to drawing, painting or simply marks scratched on to the matrix. Mekhala creates endless possibilities; blurring and divesting watertight categories of their legitimacy in her art making. The scale of her work too, ranges from small intimate images to vast canvases, neither, adhering to a practiced formulae…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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Documents of Twentieth-Century Art. Conversations with Cézanne Once admired as a forerunner of modernists like Picasso and Braque, Cezanne is now appreciated on his own, and some art history mavens are even accepting that his achievement was unmatched by later generations. This is the long-awaited English version of a book that appeared in French in 1978 and has ever since been a cornerstone of Cezanne studies... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon Iranian Photography Now, Phaidon Art, Parkett Magazine. |
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