Samira Badran
born to Palestinian parents in Tripoli, Libya, in 1954. She graduated in 1976 from the Academy of Fine Arts in Cairo and later studied etching and painting at the Academia Delle Belle Arti in Florence from 1978-1982. She currently lives and works in Barcelona, Spain. Badran’s practice focuses on the appropriation (and then disfiguration and manipulation) of drawings, paintings and photographs.
Categories: Painting Sharjah Biennale
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Samira Badran
In 1980, Badran undertook a mural painting project at Belgium’s Liége University. She has exhibited in a number of Arabic and European countries, and at the Washington Museum of Women in the Arts…
Samira Badran
Fue un miembro activo en la escena artística palestina a finales de los años 70?s e inicios de los 80?s. En 1980 emprendió un mural como proyecto de la Universidad de Liége en Bélgica. Recibió un categoría en grabado y pintura en 1982…
Samira Badran
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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