Minam Apang
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Minam Apang
Born in 1980, in Naharlagun, Arunachal Pradesh, Minam Apang spent her early years in Itanagar, and has schooled in Mussourie, Chicago, and Leeds. After spending a year doing odd jobs in New York City she came to Bombay to study at the J. J. school of Arts and has been living and working here since. Growing up away from home, for the most part, “in third cultures, removed from family, oscillating between multiples worlds,” gave her the early experience of being slightly removed from the contexts she occupied. The inevitable feelings of rootlessness and vulnerability, born of this feeling of chronic alienation, fostered an acute sensitivity towards her environment and led her to be introverted and introspective. To understand her relation to painting is to understand the affirmative human desire to express oneself, making the process of painting an existential endeavour…
Minam Apang
Saatchi Gallery
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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