Stian Adlandsvik
Categories: Installation art Photography Sculpture Objects
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Stian Adlandsvik
If it won’t fly, try using it as a reducing machine
“Stian Adlandsvik”:http://www.snowballeditions.com/beta/en/artists/2008/stian-ådlandsvik
Stian Ådlandsvik utilizes journalistic and subjective investigative methods for his research on transnational and -continental economic systems, questioning their organizational form and examining what they inflict on society at an individual level…
Stian Adlandsvik
artist working with sculptures and photography. Ådlandsvik’s projects often map up unusual connections in social, political and economical administration and he relates this to questions concerning national identity. Working with estrangement and reorganization of objects, he is blurring the boundaries between reality and fiction. During his residency in Beijing, the artist investigates the rapid growth in the Chinese economy and its impacts on the city, examining its physical appearance and the way the city changes and expands. Ådlandsvik holds a degree from HfBK in Hamburg and the National Academy of Fine Arts in Oslo…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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Documents of Twentieth-Century Art. Conversations with Cézanne Once admired as a forerunner of modernists like Picasso and Braque, Cezanne is now appreciated on his own, and some art history mavens are even accepting that his achievement was unmatched by later generations. This is the long-awaited English version of a book that appeared in French in 1978 and has ever since been a cornerstone of Cezanne studies... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon Iranian Photography Now, Phaidon Art, Parkett Magazine. |
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