Gabriel Acevedo Velarde

Acevedo Velarde, Gabriel





Gabriel Acevedo Velarde was born 1976 BirthLima, Peru.
Lives and works in HomeMexico City, Mexico.

Categories: Multimedia Drawing

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Gabriel Acevedo Velarde
Gabriel Acevedo Velarde’s video work is groundbreaking and refreshingly different. Not unlike William Kentridge’s work it is based on the artists own accomplished drawings, which are brought to life with the camera. This is, however, where comparisons end. Animation is a rare and quite new form within the arts, particularly when it is derived from classical drawing. The soundtrack is without dialogue, so the narrative unfolds largely visually…

Gabriel Acevedo Velarde
Acevedo’s distinctive figures tell the artist’s own parables of society and the human condition. Pre-historia, a 30 minute film made from a storyboard of quick drawings on paper is filmed in a raw style, revealing the tape-marks where the paper is held in place. As a conceptual device it functions to expose the creative process and it also serves to remove the viewer one step from the experience of the unfolding narrative…

Gabriel Acevedo Velarde
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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

Documents of Twentieth-Century Art. Conversations with Cézanne Once admired as a forerunner of modernists like Picasso and Braque, Cezanne is now appreciated on his own, and some art history mavens are even accepting that his achievement was unmatched by later generations. This is the long-awaited English version of a book that appeared in French in 1978 and has ever since been a cornerstone of Cezanne studies...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon

Iranian Photography Now, Phaidon Art, Parkett Magazine.






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