Yvonne Jacquette
Yvonne Jacquette was born 1934 BirthPittsburg, Pennsylvania, USA.
Categories: Painting Printmakers
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Yvonne Jacquette depicts our urban world from a vantage point high above us. From her perch, she brings order and context to the crazy world we have made. Neon signs, strings of cars on dark highways, bright lit windows viewed from the top of a skyscraper or from an airplane window become the dashes of color Jacquette uses to describe light and space in her paintings and prints…
Vinalhaven Shelves and
Ledges D
Air Quality "Acceptable"
Town of Skowhegan
Yvonne Jacquette’s prints, paintings and pastels have been shown in numerous museums and gallery exhibitions. She is represented by the Brooke Alexander Gallery in New York. Her work is included in the permanent collections of institutions such as the Metropolitan Museum of Art, New York, the Library of Congress, Washington, D.C. and the Staatliche Museum, Berlin, West Germany.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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