Y.Z. Kami
Y.Z. Kami was born 1966 BirthTeheran, Iran.
Categories: Painting Venice Biennale Istanbul Biennial
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Documents of modern & contemporary art.
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Dry Land, was an installation combining new paintings and photographic works by Y. Z. Kami. Haunting portraits were juxtaposed with evocative photographs of facades and landscapes to create a powerful vision of the end of the century…
Y.Z. Kami’s depiction of a young man from head to shoulder is executed with great realism…
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Best known for his portraits of humble, unremarkable people with compact and acute gazes. Their modesty and solitude unites us in the awareness of our mortality. There is a precise resignation about Kami?s unassuming portraits that cut through class, gender and, to an extent, language…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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