Waltercio Caldas
Waltercio Caldas was born 1946 BirthRio de Janeiro, Brazil.
Lives and works in HomeRio de Janeiro, Brazil.
Categories: Sculpture Objects Venice Biennale
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Documents of modern & contemporary art.
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Artist’s website
Mirror of Light. 1974
Waltercio Caldas is a Brazilian artist living and working in Rio de Janeiro. His work is related to Neo-Concretism, a movement that first evolved in Rio in the 1960s with the work of Lygia Clark and Hélio Oiticica, and which takes a “multi-sensorial” approach to the art object…
Works online, and Waltercio Caldas in conversation with the senior curator at San Francisco Museum of Modern Art Gary Garrels, Black Series exhibition, 2005
Many works online
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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