Tseng Yu-Chin
Tseng Yu-Chin was born 1978 BirthTaipei, Taiwan.
Lives and works in HomeTaipei.
Categories: Multimedia Documenta Kassel
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Documents of modern & contemporary art.
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I Got up in the morning and remembered
I had dreamed of my grandmother last night. She was sighing and lying down by me.
I received a telephone call
Grandmother had passed away. She is very important to me…
In his early video works and experimental short films a surreal, dream-like atmosphere prevails that by association stimulates the fields of emotional and mental processes. More recent videos, in contrast, appear to be elements in a psychological experiment. Tseng’s attention is directed primarily to childhood as a period of primary physical experience and social conditioning…
Five children gaze into the camera and wait for the moment when they will be splattered with yogurt or milk.
Sleepwalking children wake up the senses
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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