Sylvie Zijlmans
Sylvie Zijlmans was born 1964 BirthGeertruidenberg, Netherlands.
Works with Hewald Jongenelis
Categories: Photography Installation art Sculpture Objects
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Documents of modern & contemporary art.
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Sylvie Zijlmans brings us face to face with something awesome that is much bigger than ourselves. In the series of works with names of recent tropical storms like ‘Katrina’, ‘Stan’, ‘Wilma’ and ‘Dennis’ from 2005 and 2006, Zijlmans shows the perpetrator and the victim united in one image…
Sylvie Zijlmans arbeitet mit ihren Objekten, Fotografien und aquarellierten Zeichnungen an der Grenze zwischen Wort und Bild.
Rehabilitation Centre, Breda
The Stockholm Syndrome
Grote tragedies komen in het werk van Sylvie Zijlmans niet voor. Toch waren ze mogelijk de aanleiding voor haar bijna huiselijke, onlogische taferelen waarin slechts een paar mensen in figureren…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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