Sirous Namazi
Sirous Namazi was born 1970 BirthKerman, Iran.
Lives and works in HomeStockholm, Sweden.
Categories: Installation art Sculpture Objects
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Documents of modern & contemporary art.
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Artist’s website
Sirous Namazi was a teenager when he came from the ancient city of Kerman in the south of Iran to the somewhat smaller city of Lund in the south of Sweden. Along with other new Swedes he had the experience of acquiring a new language and finding the right expressions. Many immigrants stop there, with their particular pronunciation and way of life…
Skylt | Sign, 2003, aluminium, anodised sheet metal, 16 spotlights
Namazi’s aesthetics revolves around formal, painterly and minimalist problems-and an emphasis is equally placed upon the process behind a work, as much as the final result…
Objects
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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