Simon Patterson

Patterson, Simon





Simon Patterson was born 1967 BirthLeatherhead Surrey, England.

Categories: Installation art

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Documents of modern & contemporary art.

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Simon Patterson studied at Hertfordshire College of Art and Design and Goldsmiths College, London until 1989. He is interested in information systems, such as the London Underground map, which he humorously subverts in his best known work, The Great Bear. Patterson replaced the names of stations with names of philosophers, film stars, explorers, saints and celebrities, and thus drew parallels between spatial orientation and formations of identity through education and popular culture. In 1996 Patterson was nominated for the Turner Prize.
Patterson is fascinated by the information which orders our lives. He humorously dislocates and subverts sources of information such as maps, diagrams and constellation charts; one of his best known works is The Great Bear…
Works in the Tate collection

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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