Shizuka Yokomizo
Shizuka Yokomizo was born 1966 BirthTokyo, Japan.
Lives and works in HomeLondon, UK.
Categories: Photography
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Project Space
The focus of Yokomizo’s photography and video-work is the gap between self and other; the space that exists between ‘me’ and ‘you’.
Shizuka Yokomizo, * 1966, lebt in London Shizuka Yokomizo’s Arbeit „Stranger“ befaßt sich mit dem Thema des Voyeurismus, indem sie die klassischen Methoden der Dokumentarfotografie in Frage stellt.
"This is a script of one scene from a film I have been developing (in my head). It started as a practice in order to create scenes and situations for my photographic works but since I have given names to characters, it has become more like an individual project. The script addresses the moment of solitary state of people (characters) in relationship with others or the world."
The focus of Yokomizo’s photography and video work is the gap between self and other; the ineffable space that exists between "me" and "you"…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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