Nezaket Ekici
Nezaket Ekici was born Nov 1 1970 BirthKirsehir, Turkey.
Lives and works in HomeBerlin und Stuttgart, Germany.
Categories: Installation art Performance Art
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Nezaket Ekici uses social and cultural quotidian experiences in her work. That context is absorbed to create a performance that uses the body as symbol, in interaction with technology and the audience. In her performances Ekici places the quotidian into a new context and invites the audience to make new associations…
Nezaket Ekici’s videos, installations and performances are often processual in character. They involve the viewer both intellectually and emotionally, by means of their themes as well as their form. Complex, often controverse contents enter into a suspenseful interplay with their aestheticizing presentation…
Art Performance Apeiron Nezaket Ekici
While registering the social, political and cultural agenda through her works, Ekici?s performances full of activism and frankness bear a poetic aesthetic as well.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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