Nairy Baghramian
Nairy Baghramian was born 1971 BirthIsfahan, Iran.
Lives and works in HomeBerlin, Germany.
Categories: Installation art Sculpture Objects Berlin Biennial skulptur projekte münster
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One of Nairy Baghramian’s photographic series (Untitled, 2006) strongly resonates with the atmosphere in these movies and actually references the latter. A woman’s head is shown in close-up as she sits on a bed, her hair dishevelled by a breeze.
EIN ROUNDTABLE-GESPRÄCH MIT NAIRY BAGHRAMIAN, HENNING BOHL, CHRISTIAN FLAMM, TINE FURLER UND THOMAS GROETZ, MODERIERT VON ISABELLE GRAW
One of Nairy Baghramian’s photographic series (Untitled, 2006) strongly resonates with the atmosphere in these movies and actually references the latter. A woman’s head is shown in close-up as she sits on a bed, her hair dishevelled by a breeze. Contact prints of several of these images from the series were chosen by Baghramian as a poster motif for her first institutional solo show ‘Es ist außer Haus’ (It is outside of the House) at the Kunsthalle Basel in 2006…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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