L’artiste français Michel Verjux affirme par ses éclairages savamment disposés dans l’espace une réflexion sur l’événement, l’objet, le dispositif et le signe d’exposition. Une exposition de dessins et de peintures maintenus à l’état de souvenir et de promesse.
After experimenting with various means of expression, Michel Verjux began to explore the sculptural effects of light in the early 1980s. "It dawned on me that, after all, light is the most essential element in the visual arts. We can reduce our means no further."
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