Max Uhlig

Uhlig, Max





Max Uhlig was born 1937 BirthDresden, Germany.
Lives and works in HomeDresden.

Categories: Painting Printmakers

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Documents of modern & contemporary art.

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Auction information for you to know the prices of Uhlig's art works. artprice

Max Uhlig, born 1937 in Dresden, was well known until the seventies of this century for his graphic works. Since then, portraits and landscapes have gotten the same relevance in his oeuvre.
Das Werk des 1937 geborenen Malers und Grafikers Max Uhlig zählt zu den eigenständigsten in der ehemaligen DDR. Es genoß schon vor dem Fall des Eisernen Vorhanges den Ruf souveränen Engagements und gelangte deswegen in namhafte öffentliche wie in private Sammlungen Europas und Amerikas…
Works in the TATE collection

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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