Mauricio Dias & Walter Riedweg

Walter Riedweg, Mauricio Dias





Mauricio Dias & Walter Riedweg was born D: Oct 27 1964; R: Dec 26 1955 BirthD: Riode Janeiro; R: Lucerne, Brasil; Switzerland.
Lives and works in HomeBasel and Rio de Janeiro.

Categories: Multimedia Gwangju Biennale Documenta Kassel

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Mauricio Dias and Walter Riedweg embark on conversations with people, as individuals and as members of social groups…

“…is the imaginary, or the lines drawn in sand, on paper, through marks, that many people, animals, would defend; it is just something that is set up and, how it’s done, how do animals know that this is their territory… they mark it. We are a little bit further advanced, we draw lines on a map and there the lines are, and that is our territory and that is whoever else’s territories over there.”

Dias & Riedweg select their conversationalists as a response to the place or environment in which they find themselves.
Their research and collaborations, most often presented in the form of video installations, explore the lives of groups of people who live on the borders of mainstream cultures such as immigrants and prostitutes or literally on a border, such as the border police…

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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