Harriet Feigenbaum
Harriet Feigenbaum was born 1939 BirthNew York, USA.
Categories: Drawing Land and Environmental
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Documents of modern & contemporary art.
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"For me, a work of public art must enhance the environment in a provocative way. Art created for a particular situation cannot satisfy every special interest group, nor should it. The artist’s mission must prevail or the resulting project will not be an artwork."
Memorial to Victims of the Injustice of the Holocaust.
In 1985 Harriet Feigenbaum planted three circles of willow trees around a pond formed from coal dust runoff in this strip mining site. Currently maintained as a wetland wildlife preserve, this project symbolizes Feigenbaum’s commitment to creating a harmonium between industry and nature. Current reports indicate the site is unkept.
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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