Gints Gabrans
Gints Gabrans was born 1970 BirthValmiera, Latvia.
Lives and works in HomeRiga, Latvia.
Categories: Multimedia Performance Art
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Documents of modern & contemporary art.
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I like such a projects, where the art an the reality mix,
If other artists use their own bodies, I prefer involve others in my actions,
I only provoke situations continued further themselves.
Effect – that’s the engine behind most of Gints Gabrans’s artistic motions. In a way, this is where my writer’s unease starts, as Gints repeatedly has asked writers not to refer to art in writing about his work: so art is supposed to be the least important detail to talk about, like the frame around the painting. Still it is this unsteady borderline between the artificial (‘art’) construction and reality that he keeps exposing…
Passing Through the Walls
Biography and portrait
Imploding Priest’
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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