Ged Quinn

Quinn, Ged





Ged Quinn was born 1963 BirthEngland.

Categories: Painting

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Documents of modern & contemporary art.

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In Ged Quinn’s paintings, varying elements intrude into the work disguised as surfaces, such as an aerial view of Auschwitz appearing as a decoration in the glaze on a vase (Camp 2004), or a map of America visible in the fur of a dog (I like America and America Likes Me)…
A cherry cake, beautifully painted in the demure style of a 17th-century Dutch still life, sits atop a glass dish. The shape into which it has been cut, a sort of mock-medieval cross, is that of Spandau prison, the infamous Berlin detention centre and symbol of uneasy Cold War accord to which a handful of high-ranking Nazi officers were banished following their conviction at the Nuremberg Trials…
Evolving from a spectrum of sources in art history, photographs, memory, newspaper cuttings and books, Quinn’s canvases introduce new and universal topics…
Asleep by the Light of Glow-Worms

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







Casa 5 Tavira, Portugal. artist and art © the-artists.org 1998 - 2009