Frida Kahlo

Kahlo, Frida





Frida Kahlo was born July 6 1907 BirthMexico-City, Mexico.
Died July 13 1954 deathCoyoacán, Mexico.

Categories: Painting

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Portrait of an Artist. "After her death at the age of forty-seven in 1954, the Mexican painter Frida Kahlo became first a legend, then a myth, and now a cult figure." Thus was Frida Kahlo described by her biographer Hayden Herrera in 1992. While it is sometimes difficult to separate the cult of personality surrounding Kahlo from her artistic accomplishment, it can be said without question that she is the 20th century’s quintessential autobiographical artist.
51 years after her death, there are as many answers to the question as there are audiences to ask it…
Frida Kahlo (1907-1954) first came to the United States with her husband, artist Diego Rivera (1886-1957), in 1930. In the years that followed, they continued to sojourn to the United States, working as artists and frequently socializing with such prominent American figures as Conger Goodyear, the Rockefellers, Henry Ford, and Clare Boothe Luce, often making the newspaper headlines. Although Kahlo and Rivera spent a number of years working in the United States, their connection with the life and culture of Mexico – their sense of Mexicanidad – remained absolute and was the defining element of their identities…
The depiction of the female figure as Mother Earth can be explained in terms of the different life stages of the artist and her constantly truncated maternity. Mi nana y yo speaks of the native roots which sustain her and the losses which overwhelm her…

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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

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James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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