Dieter Rams

Rams, Dieter





Dieter Rams was born 1931 BirthWiesbaden, Germany.

Categories: Design Documenta Kassel

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Documents of modern & contemporary art.

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Rams introduced the idea of sustainable development in design in the 1970s but was acutely aware that the output of Braun and Vitsoe was potentially contributing to the problem…

Interview
you created the ‘braun style’ which has become famous throughout the world…

first of all I didn’t do anything by myself, the entrepreneur’s personality, and all of
others involved in the development, the connections with university were
certainly important. I was lucky that I began at the right moment and that
I stopped also at the right moment.
when the design and product research division was created at braun it was 1956,
I was able to build a team with other young designers,  there were at least 16 of us…

The 10 Design Theses of Dieter Rams

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art book recommendations



Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new...

South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success...


James Rosenquist. Painting Below Zero: Notes on a Life in Art.
“Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon







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