Didier Fiuza Faustino
Didier Fiuza Faustino was born 1968 BirthFrance.
Lives and works in HomeLisbon and Paris.
Categories: Design Architecture Performance Art Multimedia Istanbul Biennial Taipei Biennial
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Documents of modern & contemporary art.
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The central dimension of Didier Fiuza Faustino’s line of thinking is the body. Not the body as a reference machine, but the body as a spatial component. For how is a space to be envisaged other than through its relationship with the body using it? So this involves taking the interactions between them into account, as well as the potential for action of each one, prior to any design…
CCA Project Gallery presented a new work by Didier Fiuza Faustino. His architectural and artistic projects are above all focused on the issue of space as a political, social and bodily experience. He conceives architecture as a "tool for exacerbating our senses and sharpening our awareness of reality"…
Stairway to Heaven
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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