Bela Kadar
Bela Kadar was born 1877 BirthHungary.
Died 1956
Categories: Painting Expressionism
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Documents of modern & contemporary art.
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The paintings and drawings of a Béla Kadar (1877-1956) are provocative examples of early twentieth-century art. Exciting and often whimsical in his approach, Kadar adopted a remarkable number of international trends, including Cubism, Futurism, Neo-Primitivism, Constructivism, and the Metaphysical School. Mixing and melding these trends with uncanny ease, Kadar became famous for what critics called his “dashing turns of style…”
Painter. He was initially influenced by József Rippl-Rónai’s style and from 1918 onwards, he became a follower of various "isms" in his pursuit of new styles. His works represented the expressionistic – symbolic style…
"Women Planting"
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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