Atom Egoyan
Atom Egoyan was born July 19 1960 BirthCairo, Egypt.
Categories: Multimedia Istanbul Biennial
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Réalisateur, Acteur, Producteur, Coproducteur, Producteur exécutif, Scénariste, Directeur de la photographie, Monteur canadien
Ergofilmarts
Bereits im Alter von 13 Jahren begann Atom damit, Theaterstücke zu schreiben. 1978 schrieb er sich am Trinity College (University of Toronto) für die Fächer "International Relations" (vergleichbar etwa der Politik) und klassische Gitarre ein, tritt sogleich einem Film-Club bei und schreibt kurz darauf das Drehbuch für seinen ersten (Kurz-)Film, Howard in Particular, den er 1979 verwirklicht…
Individually, each of Atom Egoyan’s films look to be as far removed from typical movie formula as Toronto, his home base, is removed geographically from Hollywood. Unique in character, content, and especially structure, an Egoyan film can easily put off the most practiced moviegoer…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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