Andrei Ujica
Andrei Ujica was born 1951 BirthTimisoara, Romania.
Lives and works in HomeBerlin and Karlsruhe, Germany.
Categories: Multimedia Sydney Biennale
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As of 1990, Ujica decides to devote himself to cinema and creates Videogramme einer Revolution (Videograms of a Revolution, 1992) in collaboration with Harun Farocki, which becomes a landmark film on the relationship between political power and the media in Europe in the End of Cold War Europe…
Harun Farocki and Andrei Ujica’s film Videograms of a Revolution (1993) is a montage drawn from 125 hours of amateur and professional archival video footage shot by journalists and ordinary people during the chaotic ten days of the Romanian Revolution in December 1990. The film not only refutes conventional models of media crique and theories of spectacle, it exploits the techniques of spectacle as a tool with which to construct a view of history. Intercutting professional footage, television studio broadcasts, and raw data recorded by amateurs camped out on the street, Farocki and Ujica use the archive to rework the relationship between power and popular forms of representation in a mode that moves beyond spectacle…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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