Ruangrupa is an artist initiative formed by Jakarta based artists in January 2000. Ruangrupa provides and arranges an autonomous art workspace for artists to live and work intensively within a period of time.
Categories: Installation art Conceptual Art Istanbul Biennial
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"Hence our ruangrupa is formed to counter the individual’s inner struggling.
We are also certain that aside from the autho-rity, there always has been another interfe-rence called the production orientation. This kind of orientation intends to deal with art as an industrial commodity only.
Art will only be able to get its dynamic and critical potentials, if the artists deal with their works as an analyzed process instead of a
producing one"…
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Documents of Contemporary Art. Utopias: Throughout its diverse manifestations, the utopian entails two related but contradictory elements: the aspiration to a better world, and the acknowledgment that its form may only ever live in our imaginations. Furthermore, we are as haunted by the failures of utopian enterprise as we are inspired by the desire to repair the failed and build the new... |
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South African Art Now. South African Art Now documents, through in-depth essays and stunning full-color photographs, the remarkable work of nearly one hundred South African artists working in every medium from painting, sculpture, and video to cutting-edge performance art. This lush volume includes the impressive work of art world stars such as William Kentridge and Marlene Dumas; newly prominent artists such as Berni Searle, Robin Rhode, and Mustafa Maluka; and exciting newcomers still unknown outside their own country, but clearly marked for success... |
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James Rosenquist. Painting Below Zero: Notes on a Life in Art. “Frank, funny, truthful, ironic and in every way an entertaining account of one major American artist’s involvement in an art movement that interests everyone–and, more than that, of his own character. Jim Rosenquist is a true American original and his book ought to be read by anyone who wants to understand the last half-century of his country’s visual culture, high, low, and in between.” –Robert Hughes, amazon |
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